Francisco de Goya
Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.
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Francisco de Goya Portrait of Gaspar Melchor de Jovellanos oil painting


Portrait of Gaspar Melchor de Jovellanos
ca. 1798(1798) Medium Oil on canvas Dimensions 205 ?? 123 cm (80.7 ?? 48.4 in) cyf
Painting ID::  77728 		Francisco de Goya
Portrait of Gaspar Melchor de Jovellanos
ca. 1798(1798) Medium Oil on canvas Dimensions 205 ?? 123 cm (80.7 ?? 48.4 in) cyf
   
   
     
Francisco de Goya Portrait of Mariana Waldstein, 9th Marchioness of de Santa Cruz oil painting


Portrait of Mariana Waldstein, 9th Marchioness of de Santa Cruz
1797(1797) or 1799(1799) Oil on canvas 142 ?? 97 cm (55.9 ?? 38.2 in) CJR
Painting ID::  77818 		Francisco de Goya
Portrait of Mariana Waldstein, 9th Marchioness of de Santa Cruz
1797(1797) or 1799(1799) Oil on canvas 142 ?? 97 cm (55.9 ?? 38.2 in) CJR
   
   
     
Francisco de Goya Portrait of the Countess of Chinchon oil painting


Portrait of the Countess of Chinchon
1801(1801) Oil on canvas 220 ?? 140 cm (86.6 ?? 55.1 in) cjr
Painting ID::  77849 		Francisco de Goya
Portrait of the Countess of Chinchon
1801(1801) Oil on canvas 220 ?? 140 cm (86.6 ?? 55.1 in) cjr
   
   
     
Francisco de Goya Portrait of the Countess of Chinchon oil painting


Portrait of the Countess of Chinchon
1800 Oil on canvas 216 ?? 144 cm (85 ?? 56.7 in) cjr
Painting ID::  77852 		Francisco de Goya
Portrait of the Countess of Chinchon
1800 Oil on canvas 216 ?? 144 cm (85 ?? 56.7 in) cjr
   
   
     
Francisco de Goya Portrait of oil painting


Portrait of
Date ca. 1800(1800) Medium Oil on canvas Dimensions 216 ?? 144 cm (85 ?? 56.7 in) cyf
Painting ID::  77934 		Francisco de Goya
Portrait of
Date ca. 1800(1800) Medium Oil on canvas Dimensions 216 ?? 144 cm (85 ?? 56.7 in) cyf
   
   
     
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     Francisco de Goya
     Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.

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